Take Alice in Wonderland and any one of its darker variants and set them on a collision course with each other. Throw in some of the woodland cast of Shakespeare’s A Midsummer Night’s Dream and C.S. Lewis’ the Lion, the Witch, and the Wardrobe. For good measure, toss in a few Arthurian legends, a smattering of hard language, a bottle of whiskey, some epic violence, and then blend until chunky. Serve cold. Thus is born Phil Tucker’s Throne.