Write on: Tue, 23 Oct 2018 by  in SPFBO 2018 4315 comments Read 105645

Touch is a serialized work of fiction in progress. As such, it is not yet a book which has been completed. A superhero story at heart, this is an urban fantasy. The commissioned cover art is credited to Shroonchu. Touch deals with sensitive subjects within its content. I did not expect the level of professionalism or engagement provided in this serial. The foreword from the author warns of this on the homepage where Touch resides.

"Dear reader. Welcome to Touch, a serial novel produced by myself, Rhythm. I write this message as something of a content warning. Please be aware that this story is not to be read lightly. It addresses some very heavy topics and some dark situations, such as child abuse and the psychological aftereffects of sexual assault. While every effort shall be made to approach these topics with dignity and awareness, you should be informed that if this story were a film, it would likely be rated for mature audiences."

As the story begins, we have three major characters, who through ability or accident, discover one another as having unique abilities. Two boys, James and Casper are school chums, and the other an older teen called Tasha who discovered the empathic abilities of one of the boys quite by accident. One boy, James, discovers he can fly, Tasha has super strength and Casper is an emotional empath trying his hardest to shut out the world. The ages of these characters are quite young, just eleven, twelve and fifteen years. Each one has a personal story arc and the circumstances of each are wildly different from one another. They soon find themselves in way over their heads when they attempt to liberate another child in distress from a cabal of an extremely unusual sort. There are powerful forces at play on a very large scale. The feeling that this is just a tiny portion of the world in which the story builds on both the back stories of each individual as well as their current predicament. Which quickly becomes more complicated as a secret organization of worldwide proportions is revealed to the reader. 

The writing is polished and the characters extremely well defined. Their interactions together as the tale unfolds are realistic looks into how children this age think and behave. The dialogue is easy flowing. The plot, as it develops, has a distinct draw. There are bad decisions and self-doubt that wrack the teens as they attempt to cope with trauma and new skill sets. The concise writing brings these aspects into play naturally. While not for everyone, due to its delicate content, Touch is well crafted, and a story which pulls in the reader.

I contacted the author and asked them a few questions on Touch regarding serial writing, anonymity, and the plans for the continuation. They were kind enough to engage in a lively discussion of the advantages and disadvantages of writing serial fiction. With the author's permission I am quoting their responses in part.

"Yes. My pen name is Rhythm in the mind. I try to remain authorially anonymous with regard to touch, because I find readers have a tendency to assume things of writers who discuss topics of a psychological nature. If they think I'm a woman, for example, they tend to assume I was a subject of abuse myself, and if they think I'm a man, they tend to assume the concept of James' rape is written from experience. I find such misconceptions uncomfortable, which is why I use a pseudonym. 

When I have it completed, I have some nebulous ideas about revising it into a compendium of sorts and sending it to a few literary friends for a rigorous edit. One of the flaws of writing online is that the process is less streamlined. Everything generally remains a first draft even after publication, which has its obvious flaws. You are right in believing that I intend to continue past what you have read, of course. In fact, what you read constitutes only roughly half of my current body of view-able work. I agree that it is not particularly impactful as a standalone novel in and of itself, which I again ascribe to the aspect of serialization. In a novel, plot threads are expected to be initiated and satisfyingly resolved within the space of a single work. In a serial, that process can occur longitudinally, more in line with a long running tv show than a novel, which I would call roughly analogous to film."

I wish the author well on their continued journey. Touch is off to a good start, and has been impactful to its intended audience. There are definite pros and cons to serialized fiction and some famous success stories for authors utilizing it. Follow the link provided above if you would like to read Touch.



Last modified on Thursday, 25 October 2018 12:34
Lynn Kempner

Grimmedian. Biliophile. Reviewer. Made of Magic. Editor @, All things Fantasy SciFi and Speculative Fiction. On a mission to keep the FAN in FANTASY.


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