1. So, tell us a bit about yourself, Matthew.
I’m a guy in Iowa who likes to write books and do Escape Rooms with my partner in life and crime, Ren. A lot of my local efforts are in helping other authors find the resources to make their writings available to the masses, through my website davenportwrites.com. Originally, I’m from a one horse town that lost its horse in Upstate New York, called Harrisville. I moved to Iowa to follow a career in Archaeology, but the reality of the bills related to an Archaeology education led me taking a more serious look at both my author career and my “day job.”
I’ve always enjoyed writing, but in 2009 I took it a step further and decided to write an entire book during NaNoWriMo. I failed by half of the required 50,000 words, but saved the rest to finish in 2010. Since then, I’ve tried to put out at least one book a year, with my goal being at least 2. I’ve done a few collaborations, and I like to explore different styles of writing as well as different genres, but always seem to come back to either horror or adventure in some manner or fashion.
2. What are your books? I've read all of them but want you to explain them to the reader?
I have a few series and stand alone novels. The first of which, The Trials of Obed Marsh, was my first dive into the darker worlds of H.P. Lovecraft. I spent lot of time researching not only the fictional history laid out by Lovecraft for that story, but also, as it’s a book about sailors and trade routes, the different paths, weather patterns, and cultures of the sailing and trade industries in the early 19th century. It’s a book that is horror, but not like today’s horror, in that there’s very little gore or literary jump scares. This book is about the dark path that a man can willingly travel when he has only the best interests of his family and crew at heart. While I wrote it as a prequel to Lovecraft’s A Shadow Over Innsmouth, it can be read by people completely foreign to his mythos. The road to Hell is a universally understood tale.
I didn’t stop there, as far as Lovecraft is concerned, and probably never will, but I needed something less dark and more exciting in my next project. My Andrew Doran series, (2 books and a short story currently) follows a globe-trotting adventurer during the 1940’s as he tries to keep the different artifacts of the Cthulhu Mythos out of Nazi, or other evil hands. Along the way, he runs into just about everything you could think of, and then some and makes some interesting allies and enemies.
In 2015, I decided that I wanted to write with my brother, Mike. He’s always had a huge imagination, but sometimes has a problem finding a creative outlet. I asked him to come up with a plot and send it to me. We went back and forth, with me making suggestions and him crafting an entire world that would become the book Broken Nights. Broken Nights follows Jason Night, a failed hobby shop owner who has suffered serious loss in a city that has too much loss already. Deciding that he can’t let the tragedies of his life be repeated, he signs up for an Amazon Prime account and starts taking MMA classes. In the dark of the night, he becomes Darden Valley’s Guardian. Things heat up when his sister, also struggling with the same tragedies, discovers her brother’s nightly activities and demands that he let her help him.
3. You write a lot of Cthulhu Mythos fiction. What attracts you to H.P. Lovecraft's world?
A lot of the time, when authors work in another author’s world, they refer to it as a sandbox (ie: I love playing in that author’s sandbox.), referring to the world structure put forth by the author. I’ve always felt that comparison has never been apt. For most authors, it’s more like Legos. Things are built, and you don’t want to tear them down beyond their core components, you just want to build on them and make them fit.
Lovecraft’s worlds are nothing like that. They actually fit the sandbox reference, in that Lovecraft has created an entire universe that encompasses everything and his sandbox really is his writing style. While his creatures are great and fun to play with, you can write an entirely Mythos related story by keeping to a theme. A protagonist that doesn’t have all of the information, goes on a lengthy investigation, and every tidbit of information during this investigation dials up the scare and/or dread. Oh, and always end on the darkest possible note that you can. That’s fun. That’s the definition of fun when I’m writing or reading. I’ll play with the monsters all day, but if I can leave a book feeling empathy for a tortured protagonist, than I’ve succeeded at life.
4. Andrew Doran has been described as "Indiana Jones meets the Cthulhu Mythos", do you feel that's a fair description?
The fairest. My archaeology career lent itself toward enjoying the fandom that is the Indiana Jones series, and, I don’t remember when or how, but I started fantasizing about if Dr. Jones ever were to fall into the world of Lovecraft and how that might play out. It was in those early fantasies that Dr. Andrew Doran, my bearded Anthropologist from Miskatonic University, was born.
5. Why do a novel about Obed Marsh, a posthumous character from The Shadow Over Innsmouth?
Zadok Allen has a big scene in The Shadow Over Innsmouth in which he paints a picture of a beautiful town and a man who wanted to bring it to prosperity. While Shadow is easily my favorite Lovecraft story, it’s really the end of one. Most of Lovecraft’s stories are that way. Someone shows up, things have already gone to hell, and someone gives a long exposition about the time that they went to hell. Give Thing on the Doorstep a read and you’ll see what I mean. So, I decided that a great story would be the one that told the journey from the myth of the man to the man we see in Shadow.
6. Superheroes are big now but come in many different shapes and sizes. What sort of hero is the protagonist of Broken Nights?
Jason is the average person struck with tragedy. He’s not a billionaire playboy with an alcohol problem. He has almost no money. When you meet him he’s bumming a room off of his sister and running a failing hobby shop. He’s a superhero on a budget and with responsibilities. He’s tough, but only because he needs to be, and he’s not alone. No brooding on gargoyles, he’s got a couch and a Coors when he needs to brood.
7. What is the difference between writing in a world created by someone else (H.P. Lovecraft) versus your own original work?
Lovecraft has certain rules. I write in Lovecraft’s world because I like writing in a different voice, and I like those themes that I mentioned earlier. There’s also a lot less world building when I write in Lovecraft’s realm, and the world building I do, I have references for. When I write in a world that I create, I can just take off. The world building is a huge part of that process, and is a lot of fun. It’s also more personal. When someone reads a world that I built, I’m hanging on their every word, hoping that they’ll love my story enough to make it their new favorite fandom. That’s my true goal, if I’m completely honest. I want someone to someday see my works in the same light they see his, or Star Wars. I want people to go to Cons dressed as Jason Night or Andrew Doran.
8. Can you describe the heroes (and villain protagonist) of your books?
In The Trials of Obed Marsh, there are two main characters. Obed Marsh is both the protagonist and antagonist of his tail. He’s fighting his own struggle and pushing his personal line of right and wrong back so that he can justify the costs it takes to make his home a prosperous place. He’s pushed by the second, a native he meets during his trades, named Walakea.
Andrew Doran is the pulp adventurer. He collects cohorts on his missions who are just as stubborn and obsessed as he is, but for their own various reasons. He’s driven to keep the world safe from the horrors that it isn’t even aware of. Monsters hide behind the veil, ready to throw the world into chaos and only Dr. Doran stands between the world and those monsters. He wears the burden, but makes it look easy as he downs a glass of Bourbon.
Jason and Amy Night, the sibling team of Broken Nights, are complementary in their skillsets and identical in their grief. They both want to make their corner of the world a better place, and their different skillsets sometimes put them at odds. Like any brother and sister team, when they can make themselves work together they can be a well-oiled machine.
9. Recently, you were a self-published author but have gone on to work with Crossroad Press. What caused this decision?
The move to Crossroad was made for a lot of reasons. Up until recently, I’ve done a lot of the work a publisher would do, myself. It’s tiring and takes a lot of time. I am also aware of my limitations. Crossroad can help me get my heroes in front of the right audience, something that I had only managed to do in part up until this point.
That being said, I still believe that some of my works should remain self-published. Specifically, I have a how-to book that helps walk authors through the process if they are unaware of it, and it’s important that they know that the person who wrote that how-to actually knows the process. Of course, I’ll keep sending every title I can to Crossroad until they tell me to stop. I love what they’ve done with my books and love the amount of time that I’ve freed up for more writing.
10. Both Andrew Doran and Broken Nights are series. Do you have an idea when they'll end or intend to continue with them indefinitely?
I think Andrew Doran is going to continue for quite a while. I can’t help but enjoy diving back into the Andrew Doran stories as much as possible, and he’s great for killing writer’s block. If I don’t have a story idea brewing right now, then I’ll write some Andrew Doran.
Broken Nights is a slightly bigger question, as I’m working on that with my brother. He and I have only talked as far as a trilogy. I don’t have any plans, as of yet, to take that any further. That being said, I don’t think that universe is going to end at book 3. I introduced a character in the upcoming second book in the Broken Nights trilogy, Broken Nights: Strange Worlds, who I think might enjoy her own spinoff series. It would be a mix of Supernatural and X-Files, I think.
11. How has fan reaction between to your books so far?
Great! No one really talks about The Trials of Obed Marsh, but that seems to be the book everyone wants. When I meet Broken Nights fans, they are always fun. I have had several of them tell me things (I totally disagree, but love them for their opinion) like, “This is better than the Netflix superhero shows.” I love hearing that. That tells me that someone sat down, read that and thought it was somehow better than a show or series of shows that I am passionately addicted to.
Andrew Doran fans are the most vocal, though. Between other authors who have begged me to write more, to fans who have followed me to multiple signing events, to actual fan letters that I’ve received, I have never felt more like a rockstar. I say that as if it happens all of the time, but it doesn’t. Maybe a few times per year an Andrew Doran fan will reach out, or beg to know when the next one is, but it is one of the greatest feelings anyone can experience.
12. Any controversies or interesting stories from publication?
Not that I know of. Stay tuned, I’m sure there will be a huge fight between Spielberg and Ridley Scott for the rights to the Andrew Doran movie.
13. What can we expect from you next?
Broken Nights: Strange Worlds, the sequel to the first Broken Nights book will come out soon, I’m hoping. Book One asked what it would take to make a normal person into a real superhero in a world of pain and reality. Book Two, I’m hoping answer the question of what a realistic superhero will do when faced with an earth-shattering revelation regarding how the actually is.
I’m currently working on a horror novel that focuses on a star salesman recruited by the Devil into his organization that convinces people to sell their souls. Much like The Trials of Obed Marsh, it will ask the question of how far should someone go for a comfortable life. It tells the story through the unique view of a sales representative, with commissions and that special culture, and examines the relationship between an honest profession tainted by a dishonest product. I’m also working on the third Andrew Doran novel. Stay tuned.
Hey folks, I'm very pleased to give you an interview with the author of SHATTERED DREAMS. It's a book we've reviewed twice here on the Booknest.eu with both of us loving it.
1. So, tell us about the Drangar series?
It all started out on a day long in the past. No, seriously, it did. I wanted to hang with some friends, accompanying them to one of their fabled cons. Those cons, for me at least, were all about partying, but I also wanted to contribute to the shared world. So Drangar Ralgon was born, and I wrote a bunch of connected short stories about his adventures. These short stories were my first steps into writing. All in German back then.
Fast forward a few years later, and I wondered why I had trouble finding the correct words. Writers need to read a lot, and I did! Then it hit me, I read everything in English. Primarily because most translations sucked at that time. One short story that made people laugh later (a story which wasn't really that good, but hindsight is a strange animal) and I knew that I had to continue writing in English.
At first I wrote in the style found in the books I was reading at the time, mostly omniscient narrator and all that heroic stuff. The plot followed the short stories, but given the scale of an actual novel and the lack of restrictions due to not writing in a shared world, it quickly expanded. But I wasn't happy, neither with myself nor with the writing. Me and it lacked focus. The first part of solving that particular puzzle came in form of George R.R. Martin's Song of Ice and Fire. When I read those books, I knew how I wanted to write. What I lacked now was actually the motivation of writing again. To say I had hit a slump would be a grave understatement, I was depressed, had suffered throughone breakdown already, and by 2007 the second breakdown was at hand. My best friend kicked me until I went to therapy.
As part of that therapy, I rewrote the entire first novel in three months, and then, with the aid of another friend, honed what would become Shattered Dreams.
Not to sound too conceited, but in a way the story, Drangar's story, is as much about self-discovery and healing of one's spirit as it is about people and swords and magic, or people with swords and magic. In the beginning the protagonist is a wreck. Ironically enough, that part has existed since the very beginning, my alter ego was damaged, only I didn't know I was just as damaged. Over the course of the story he gets better.
Sure, there's more to it, but you have to read the book to find that out.
2. What separates the Drangar series from other epic fantasy about there?
I didn't want to write a "genre book" per se. Sure, it's fantasy, but I want it to appeal to non-fantasy readers as well. Even with GRRM's books, the base appeal is to fantasy fans, with the hurdle of others picking up the novels lowered only by the TV series. I tried to focus on people rather than mythical dangers and such. And given that the non-fantasy-people who have read it, love it, I guess I succeeded there.
While writing the story, I did not read any fantasy. Instead I read every other kind of fiction, and some books for research, of course. That was and is intentional, since I do not want my prose to "echo" any other fantasy author's. No idea if it's bad or good, but it's mine, my voice, my prose. Another thing, it's small, contained, the story literally takes place in an area smaller than most states. Since I focus on characters, I figured that territorial intimacy is preferable. Shit that happens, happens in the neighborhood and affects people.
3. Who are the protagonists?
Drangar, a mercenary turned shepherd who tries to avoid facing his past
Kildanor, one of 24 Chosen of Lesganagh, the Lord of Sun and War
Ealisaid, the last Wizardess due to the fact that no one woke her from hibernation
Jesgar, a young man who took up thieving as a hobby
Anneijhan, short Anne, a noble warleader with the enemy army
Mireynh, the invaders' High General
Lightbringer, a being who has had her fingers on the tillers of history for millennia
Lloreanthoran, an elven mage tasked with retrieving forgotten artifacts
Bright-Eyes, Lloreanthoran's squirrel familiar
4. Could you describe your world for us?
I like classical mythology, Greek, Roman, Celtic. In each of these the world is created by deities who then rule over the thing. There are no differing religions or gods, because, well, it's their world. Basically I go with what I call creation fact. The world as the people know it, was created by the gods, no other deities are present, and since the people have one origin there is, literally, no difference in outward appearance, with variations according to geography (i.e. closer to the equator and skin color will grow darker)
There is only one language. The former masters of the world, the elves, have all but vanished, leaving behind a humanity that tries to figure itself and the elven technologies out.
The analogy that I chose is: Elves = Romans at the height of Empire, humans = Dark Ages. I didn't want the all too generic mix of technologies one finds in far too many games, be it D&D or WoW. I basically sat down and wrote out my creation fact, how the world came into being, added the obligatory battles between various godly factions and all that. There are loads of familiar things in this unnamed world, but I strive to take clichés and turn them inside out. It's a world in turmoil, and no side is good or evil.
5. Do you prefer high fantasy or low fantasy?
High fantasy, to me, screams Dragonlance or Lord of the Rings, and I found the older I get the less I care for it. For the stereotypical good vs. evil stuff, I mean. When I look at Conan or Fafhrd and the Gray Mouser, I see low fantasy. And while I like the yarns REK and Leiber spun, I think I prefer an amalgam of both, with a serious influx of realism. That's what I like about A Song of Ice and Fire, on the surface it's gritty realism, and the deeper you dig, the more fantastic it becomes, without losing the grit.
6. Would you describe your book as grimdark?
Hah! To be perfectly honest, I didn't know about grimdark when I wrote it. I read GRRM and considered it well written, realistic fantasy. I'm just gonna say: "I consider it a damn good story" because in the end the rest, the trappings if you will, are negligible. To paraphrase a famous German movie producer: "A book is good when it's good." In the end that is the only thingthat matters.
7. What do you think of the grimdark phenomenon?
Realism is always a good thing, and I think that every piece of fiction should be realistic, within the logical confines of the world. Grimdark is a counter movement to the heroic fantasies like Shannara, D&D-world novels, and such. It's necessary. Our world has changed, and in the wake of the end of the Cold War, lines have become blurred. Sure, we got moronic and sociopathic leaders, but more and more people realize that the "Russian" or the "American" or "French" or "Chinese" or "German" are, all in all, just people.
Fantasy and Science Fiction can easily adapt to such societal "revelations." But I think that brutality for brutality's sake or shock value just to be called "grimdark" is abhorrent, similar to torture porn. If a novel's cast of characters just consists of psychopaths and sociopaths, people who have no inherent redeemable qualities, who cannot by their very nature have redeemable qualities, a reader won't connect… or if they do, I wonder what kind of people they really are.
Give me realism any day of the week. Have people swear, sweat, fuck, fight, love, lose, kill, die all you want, but if you're just out to shock people or outdo someone else, that's not for me.
8. Did you do a lot of research to create your world?
I'm still researching things. To truly portray a lived-in world, you need to know how people lived in the times similar or close to similar to what you are describing. You need to know a bit of everything, basically. Of course, it does help if you live in a town whose oldest buildings were erected before the Thirty Years War, and have two castles and one castle ruin in your neighborhood. But those locales are only visual aids, the actual research comes from historians and archaeologists, of course. Applying real world history to a fantastic world, replacing certain things with fantasy elements, that is the fun part of one's world development. And understanding the evolution of things, be it architecture or weaponry, just makes things, again, more realistic.
9. Do you have a favorite character? If so, why?
Drangar. He's been with me for over twenty-five years, and yet I discover new things about him whenever I write from his perspective. He and I are a lot alike, and, I guess, we both do our healing together.
10. How has fan reception been so far?
So far. The people who have read Shattered Dreams love it, for the most part. Some complain that it isn't a self-contained story but the first book of three, but that's complaining on a very sophisticated level. Understandable, but I couldn't cram the entire story into one book of well over 1000 pages.
11. Do you have any other authors you want to give a shout out to?
Ed Greenwood: for the support and the blurb, and for pointing out that "Hell" is a shitty term to use in a non-Judeao-Christian fantasy setting.
And Charles Phipps: for the fun conversations, both in Candlekeep and Facebook, and the support. Thanks, friend!
12. What can we expect from you next?
I think I will have some tea. Hehe, other than that I am pondering whether to finish Drangar's saga first, or start something different, smaller, more fast paced to maybe attract an agent with. I guess the many viewpoints are too much for an agent to sell as newcomer author.
I've said it before and I'll say it again: there just aren't enough pirates in fantasy. But author Rob J. Hayes is trying his best to remedy that lack of nautical naughtiness, and he's doing a fine job. His pirate duology, Best Laid Plans, is one of the most entertaining pirate adventures I've come across, and I was thrilled when he agreed to an interview. I hope you enjoy the interview below, and that your thirst for piracy will be quenched by Rob's creation.
First of all, thanks for agreeing to this interview, Rob!
When did you first decide you wanted to become an author, and how did you get into writing?
ROB: Well I've always been a bit of a dreamer. Or probably a lot of a dreamer really. Even at school I was that kid who spent half his time staring out a window imagining orcs and elves doing battle in the playground. But it wasn't until I was about 15, I think, that I actually started writing stories down rather than just running them through my head. I remember I had just finished reading Aurian by Maggie Furey and I thought “I could give this a go”. Of course back then I had no real idea what plot or characterisation really meant, and my sentence structure was pretty much a wall of text. I like to think I've improved a little along those lines.
It wasn't until I was 26 that I actually decided to sit down and write some real books and try to make a career out of it. I was pursuing a career in Zoology at the time and I spent 3 months living on a desert island in Fiji, diving down to the reefs and cataloguing the sea life. There was quite a lot of downtime so I started writing stories in a journal, all focusing on a world I'd been building for quite a long time. I think I wrote 2 short stories, and then started my first book in that little leather bound journal. And 1 of those short stories, the Sword of the North, actually made it to print in my anthology collection, The Bound Folio. The other short and the full book did not, they are forever consigned to my not good enough folder. Once I got back from Fiji I made writing my priority and focused on that same world which has since become First Earth.
Fabulous answer. Living in Fiji sounds like the experience of a lifetime! You mentioned your career in Zoology, and I know that's what you studied at university. Does that knowledge come into play very often in your work? If so, can you give us an example?
ROB: Oh it definitely does, though rarely in major ways. I like to throw fantasied up creatures into my books here and there. In The Ties that Bind there's a spider the size of a small dog that can jump and spit venomous webbing. Both are traits that appear in spiders in real life, but never in the same species. I cheekily combined those traits and then blew the spider up from the size of a finger nail to the size of a dog. Then I decided it would sit on the shoulder of a pirate instead of something more mundane like a parrot, and that much of the pirate ship's rigging would be made from spider silk instead of rope. I'm not sure I'd ever have come up with that idea if not for my background in Zoology. There's a few more examples hidden throughout my books as well so I definitely put the knowledge to some use, even if that use is giving people nightmares about giant spiders.
Well, you've made me a fan of giant man-eating centipedes that like to be worn as belts, as well!
What inspires your stories? And what comes to you first: plot, characters, setting, or something else entirely?
ROB: I think I take a lot of inspiration from books, films & TV, and computer games. Often times something I see or read will just spark off my imagination and an idea is born. I remember watching the 3rd Pirates of the Caribbean film and there's a scene towards the end of the film where we see a fleet of pirates ships and then on the horizon we see an even bigger fleet of navy ships. I watched that and thought “This is gonna be epic!”... Well it wasn't. It was a massive let down to be honest and I remember thinking “I can do better than that.” So now there's a few big naval battles in Best Laid Plans.
As to what comes first, it changes a lot from story to story. My main 3 characters from The Ties that Bind all existed for quite a while before I found a story for them. And on the complete flip side the story for Best Laid Plans existed before most of the characters. The setting for them both has been around even longer as I've been building First Earth for about 17 years at this point. I think I'm quite an organic writer, which works for me, but I often get to the end of a story and honestly have no idea how I managed to pull it all together.
I completely understand what you mean by feeling let down by naval battles in film, and you most definitely don't let readers down with your naval battles in Best Laid Plans!
You've already written multiple series. Where would you suggest a new reader start?
ROB: Chronologically speaking The Ties that Bind trilogy takes place first. However both that and the Best Laid Plans duology are designed to be read independently of each other, and my piratical books are newer and shinier so I'd say start with Where Loyalties Lie. There's a few crossovers in terms of characters and locations but little in the way of spoilers from one series to the next so it really is OK to read them in any order.
Good to know!! As someone who started with Where Loyalties Lie, I thought it was a fabulous introduction to the world of First Earth.
Do you have a favorite character you've created?
ROB: I don't think I have a definite favourite, but I do have some who I really love writing. Elaina Black was a good example of just that. I loved how fierce she is mixed in with some fairly detrimental daddy issues; she was a joy to write and I think it's because of that that she grew into a much larger part than I had originally intended for her. Another good example would be Anders Brekovich; he's so sardonic that I get to have a lot of fun crafting his dialogue. But I also love how blunt and down to earth the Black Thorn is, and digging into his old war stories is always a good laugh. So... no. I don't think I could pick a favourite.
I don't know that I could pick a favorite either, although I must say that T'ruck is a pleasure to read.
You started as a self-published author, signed a deal with a publisher, and went back to self publishing. What influenced that decision?
ROB: After a while I had quite a few grievances with the publisher I signed with and they just kept piling up. Between late royalty payments and delayed releases I began to lose confidence in the leadership of those in charge. The straw that broke the camel's back was that they sent an unedited manuscript of Where Loyalties Lie to Audible, so the audio version of that book is not the product I wanted to release. I've been quite vocal and descriptive of all my issues with the publisher so if anyone wants to know the details they can check out my blog posts on the matter.
I think it is worth mentioning that the leadership at the publisher has completely changed since I left, and the new folk in charge do seem to be making steps to fix the issues that both myself, and some of their other authors, have.
In the end though I'm quite happy to go back to self publishing. I like the control I have over everything, and working to my own schedule.
Is there any advice you can give aspiring writers who are trying to decide between self publishing and seeking a more traditional publishing deal? And is there any advice you can give them on writing?
ROB: First thing I'd advise is to do your research, and take into account is that each author is different. Self publishing works for some and not for others, and the same can be said of the more traditional side of things. There are typically more upfront costs involved in self publishing what with having to pay for editing and covers and advertising, but then there's usually more in the way of payment for each book sold as well. Chances are though that by self publishing you will never be able to get the reach capable of a traditional publisher. It really is a case of reading up about the different avenues of publishing and deciding which one works best for you.
I must admit I struggle to give advice on writing. Again it's a case of what works for some people doesn't work for others. I would say the best advice I can give is write lots, read lots, and don't get disheartened by criticism... I'm still working on the latter myself.
Your books have stunning, high quality cover art. Who is your artist, and how are you able to secure such amazing artwork on your own?
ROB: The artwork for most of my books has been done by Alex Raspad, with cover design then handled by Shawn King. They're both excellent and very professional. It was pretty much a case of asking them to do the work. I think covers are often 'you get what you pay for', and as the first part of the book that most readers will see I feel it's worth paying for quality. That being said I know a few authors who do all their own covers and do a hell of a job with it. Unfortunately the extent of my skill in that area is shouting at photoshop because it won't do what I want it to. I have quite rightly decided that cover art and cover design are forms of ancient magic best left to wizards.
Would you tell us a little about the projects you currently have in the works?
ROB: I actually have quite a few projects in the works at the moment, some completed and ready for publishing and others in various stages of completion. I have another First Earth novel, a standalone called City of Kings, releasing next year. It features many of the characters from The Ties that Bind and the whole book takes place over a six day siege of a fortified city. I have a sci-fi noir thriller called Drones, that one is based on the premise of emotions being harvested and sold as a drug. I'm also currently writing an eastern inspired sword and sorcery novel called Never Die, and I have a YA epic fantasy in the works as well.
And at some point I will get around to finishing my First Earth saga books. There's two more series to write in that world before I'm done with it.
And lastly, what is a book or series (outside of your own) that has impacted you, and what book or books do you wish you could convince everyone to read?
There's a whole load of books that have definitely impacted me, but I think I'll go with Robin Hobb's Farseer and Tawny Man trilogies. Never before or since have I connected so emotionally with a book(s) or character. Reading about Fitz and the Fool is like spending time with old friends, and Hobb remains the only author who has ever made me cry at a book.
As for the books I wish everyone else would read... I'll go with Chris Wooding's Tales of the Ketty Jay. They are swashbuckling adventures in a steampunkish world and just so much fun to read. And if everyone in the world had read them I could have endless discussions about a particular scene where a character is involved in a dogfight thousands of feet in the air, while also involved in a fist fight with a cat.
Thank you so much for the thoughtful responses. You made this first interview a great experience for me.
ROB: Thank you. It was fun answering your questions. Thank you for taking the time to do this.
You can visit Rob's official website here.
Where Loyalties Lie, book one of the Best Laid Plans duology, is available for purchase here.
The Fifth Empire of Man, book two of the Best Laid Plans duology, will release on September 26th, 2017. You can preorder your copy here!
David Niall Wilson is the owner and Editor in Chief at Crossroad Press, one of the largest independent publishers currently on the market. He's also the author of 150 short stories, 32 anthology entries, and over a dozen novels. David has written novels for Vampire: The Dark Ages, Star Trek: Voyager, Stargate SG-1, and is a Bram Stoker winner. We're very lucky to have him talk with us here.
"Why don't I have sales", "What did I do wrong" and "What am I supposed to do when the time comes" are just some of the questions I've been asked from authors regarding the art (and desirable success) of self-publishing. Although I've been more than happy to answer those questions, I found it easier to write an article so I'll be able to redirect them here in the future.
You've written a book but you have no idea what to do next? Simply follow these instructions. Or don't. I'm a guide, not a cop.
No matter how good and consistent your story is, you will need a second opinion. Find a couple of experienced beta-readers, send the first draft along, and let them give you feedback on what works and what doesn't. A spreadsheet where the beta-readers will be able to rate each chapter individually on characters, plot, pace etc is a nice touch. Note: Don't pick your friends for this kind of work. You don't need encouraging, you need constructive criticism.
You have a Bachelor in English Language and Literature. That's awesome. You will still need an editor. There are plenty of talented editors out there like Tim Marquitz, Laura M Hughes and Sarah Chorn. Hire them. Let them proof read, line and copy edit your manuscript. You won't regret it.
You had to buy a ISBN number, pay a fee to print Hardcovers on Ingramspark, and hire an Editor on top of that, so you simply can't afford an illustrator for your cover. A stock photo will have to do, right? The answer is no. Wait another year if you have to, save money, and hire a talented artist. It doesn't matter how awesome your story is, it simply won't sell without a good cover. John Anthony Di Giovanni, Jason Deem, Felix Ortiz and Amir Zand are just four of the hundreds of talented artists that you can find in the wild. It will make your book a thousand times better.
Oh shit, I have to pay again? Yes you have, and it doesn't end here, so just keep reading or quit. The cover will be responsible for a large proportion of your sales, but it's not just an illustrator's job. You will need professional designer as well. I only know Shawn King for this job, and I really have to look no further, because he's as great as it gets.
Your book is ready for publication, but are *you* ready to publish it? Of course not. Οne of the most important steps to a successful publication is the correct distribution of Advance Reading Copies, and for that reason I'll split them into 3 categories:
Community members: To get people to notice your book, you need to start the so called hype. At least 3 months before publication date, you will distribute ARCs (e-copies will have to do) to people who might not be popular reviewers, but their opinion holds weight in their communities. A name out of my head is Julia Kitvaria Sarene. If she likes your book she will recommend it when it's suitable. If she loves it, she will rave about it. I've added countless of books on my TBR thanks to Julia, and I'm sure I'm not the only one.
Reviewers & Authors: A couple of months before the book is out, you will have to send ARCs to those who have a huge following. People like Mark Lawrence, Jaime Tivendale and Petrik Leo can make you popular on their own. This time though you will need paper ARCs. Electronical copies (and some times simple paperbacks) means nothing to them; they can buy that on their own. A rare and limited print ARC is what reviewers live for. Make their day, and they will make yours.
Booksellers: Most of the readers nowadays buy their books online, and they trust their reviewers on what to read next. Still, a huge proportion still visits the old traditional bookstores. A single bookseller on Waterstones can sell as many of your copies as every reviewer combined.
The first reviews are in, and they're bound to have some awesome quotes in there. Use them on your social media and on the back cover of your book. The correct selection of a blurb is a combination of wording and politics. You will need a quote that shows your book for what it is, not what you want it to be (eg 'a promising debut' instead of 'in a par with GRRM') from someone who has a big following, and a quote not from someone who gives you a meaningless title (eg THE DEBUT OF THE YEAR) but from someone who has done everything in his power to help you and is bound to do the same when your next book is out.
Your book is out, but you are not ready to go. The final step to a successful publication is advertisement, and there are two types of it. The one that you have to pay for, and the one that you don't.
Free Advertisement: There's an important number of book-related communities out there (For fantasy see: Fantasy Faction, Grimdark Fiction, Fantasy Buffet and /r/Fantasy) that can bring you hundreds of fans. Join the conversations, let the community members to know you, become friends with them, but don't advertise your book. If they like you, and if your book deserves it, they will do it for you).
Paying Advertisement: Buy ads. Yup, simple as that. Facebook, Amazon, or book-related sites like Tor.com and BookNest.eu can host ads for you. Ask other authors, see what works, and use it.
Giveaways: Do them your own (fb page, author website, goodreads etc) or have a blog (BookNest, Fantasy Faction, Fantasy Book Review, Fantasy Book Critic) to do them for you. Subconscious is a powerful thing. If people keep seeing your book they will register its title and its cover, and when they come across it on amazon or in a bookstore, there's a high chance they will buy it.
Special Edition: A limited, signed and numbered edition of your book is a nice touch. It doesn't cost anything extra, and there are a lot of collectors out there.
Date of publication: Ask an experienced self-published author (eg Ben Galley) when to publish your book. Yes, the date counts. If you publish it on December, don't expect any sales - people save their money for the holidays.
Goodreads: A powerful tool for all authors. Learn how to use it.
Now you are ready to go. These steps can help you immensely, but they don't mean a guaranteed success. There's still a high chance that you will be unlucky, or, who knows, your book might simply be shite. You will never know until you try.
PS. I've had to write this article twice due to a power outage (a lesson to be learned here) and I was really tired the second time around, so there's a high chance I've forgotten something important. If something comes to mind I'll add it later, or if you think something's missing, feel free to write it in the comments.
Here on BookNest we decided to celebrate one of the best years for Fantasy by giving away 18 (!) fantasy books that were published (or are due to be published) in 2017.
To enter you have but to follow one of these two easy steps:
01) Like, Share or Comment on our Facebook post.
02) Comment here with the same name as your facebook account.
The Giveaway closes on 31st July 2017. On the following day we will randomly select 6 lucky winners, each one of them winning 3 different books. Best of luck to all of you!
The Giveaway is over! The lucky winners are:
Georgia May Goodall
Bane and Shadow
Sins of Empire
Kings of the Wyld
The Court of Broken Knives
The Heart of Stone
Farmaan Khan Mansuri
Age of Assassins
The Legion of Flame
Evil is a Matter of Perspective
Swarm and Steel
If you commented/shared/liked on facebook, then you should contact us on our facebook page with your personal info.
The winners have 14 days to contact us - any books that won't be claimed until then will be offered as prizes in the next Giveaway.
Mankind has always been fascinated by fire. The most spectacular and intangible of the four elements, fire holds an unmatched allure. From Vulcan, the Roman god of fire and crafting, to Kagus-tscuchi, the Japanese blacksmith god, to Logi, the Norse fire giant, fire and smithing have been worshipped and deified in almost every culture on earth.
It seems that our obsession with fire is almost hard-wired into us, a part of our genetic memory. After all, for millennia fire has been essential to our survival. Even today we use fire to cook, to heat our homes, and in various forms, to make power. Is it any wonder that we have sought to tame this strange power?We've been obsessed with fire since Prometheus got nicked for petty larceny.
Fire and flame are deeply entrenched in the fantasy genre. It doesn't take an arduous search to find fire-breathing dragons, or wizards hurling fireballs. Tolkien's Lord of the Rings gave us dragons and wizards both, and a balrog as a bonus.
The netherworld gives us devils and other fire-demons. There are myriad heroes wielding flaming swords, though David Eddings might be argued to have done it best, or maybe that's just my nostalgia talking.
It's no great surprise that it is so prevalent in fantasy; fire is rife throughout classical mythology, and can be found in myths stretching from Mexico to the Norse sagas. There are flaming swords in the Bible, and, when you get right down to it, the largest religions on our planet owe their existence to an old man having a conversation with a smouldering shrub.
One major difference is that mythology would have us worship and venerate fire whilst books within the fantasy genre tend to tell tales of fire having been tamed. Not in any traditional sense, with cooking or heating, but by truly controlling it. By harnessing its raw nature; somehow yoking the primal heart of it with shields formed of flame and spells woven from fire.
Blacksmithing is one example of this level of control, and perhaps a point where fantasy touches reality. In many ways smithing is the act of applying the power of flame to, quite literally, shape the bones of the earth. Smithing tames the very elements, bending them to our will.
My latest novel, Faithless, was an attempt to marry these two concepts, the allure of flame and mankind's need to shape and control, whilst also examining the notion of religion as a whole. It is a dark book, and I make no apology for that. Fundamentally it's the search for the truth of a religion, lying hidden beneath centuries of dogma.
Smithing features heavily in the book, as you would expect in a religion devoted to fire and forging, and I've worked hard to both keep as close to reality as possible whilst instilling a sense of wonder and mystery to the mundane.
“Now,” he told Brial without taking his eyes from the molten iron. “Fetch those tongs and reach this out for us.” He stepped back to allow Brial access and continued speaking. “You can stop now, Wynn. Come and see this. Note how the iron has taken on the colour and aspect of the flame? The heat and the power of the Father has infused the metal and now, with care, we can shape it as we will...”
There is a sense of lost grandeur, of a golden past and paradise lost, as the Forgefather has turned his face from mankind and prayers whisper unanswered into the darkness.
“Through the power of the Forgefather we created wonders this world hasn’t seen the like of since. It’s said we could spin wire thinner than a human hair, but with the strength of anchor chains. We offered up our own blood to the forges and the Father blessed them himself. His was the voice in the fire. Even those who didn’t follow the faith could hear it.”
Faithless is also about the darker side of human nature, about jealousy, and cowardice, and spite. More than anything it is about the lengths we will go to when pushed, when it comes down to you or them, and nobody is there to witness your actions except your conscience. Faithless is out now and available from Amazon I hope you'll join me for the ride.